IBefore you read
On the morning of the full moon, in a great many Vietnamese homes, someone stands before the altar of the grandparents and forebears, holding three sticks of incense, and murmurs a prayer about two minutes long. The young people of the house have heard it since childhood. They know the first line and the last, while the middle stays hazy. This page writes the prayer out, sets it beside its meaning in plain words, and explains each difficult word.
One thing needs saying from the start: the ancestor prayer for the full moon and the new moon has no single standard version. No religious body issued it, and no founding figure composed it. Every household prays it in its own way, every region in its own way, and every prayer book prints it in its own way. Some households pray at length as on this page, some say only a few simple sentences in their own words, and some pray silently without making a sound.
The library follows the most common form, the one printed in the book Văn khấn cổ truyền Việt Nam (Traditional Vietnamese Prayers) from the Culture and Information Publishing House and copied many times by the press, and compares it with three other versions. Where the versions differ, this is noted in the commentary. The blanks where the person praying fills in a name, an address and a date are kept in parentheses.
The prayer follows a very clear order, like a letter presented to one's superiors. It opens with a Buddhist invocation. Next come bows to Heaven and Earth, to the Buddhas, and to the deities from great to small, from heaven down to the village and down to the household kitchen, and only then to the ancestors. After that the person praying gives their name and place of residence, and states what day it is and what offerings have been prepared. Then come the invitation for the spirits to come, the request for protection, a modest line about the humble offerings, and the Buddhist invocation that closes the prayer.
This page describes and explains as an observer of culture. The library does not discuss which ways of praying are acceptable and which are not, nor does it instruct you in how to make offerings. Each household keeps to its own customs.
On the history of the text, two layers need to be distinguished. The older layer is the văn tế and chúc văn, ritual addresses written in Classical Chinese and used at the great rites of a lineage such as death anniversaries and ancestral sacrifices, following the models in books of family rites. The best known book of family rites in Vietnam is Thọ Mai Gia Lễ (Thọ Mai's Family Rites), handed down under the name of a Confucian scholar of the Hồ family styled Thọ Mai in the Lê period. Some sources name him as Hồ Sĩ Dương, others as Hồ Sĩ Tân. Ritual addresses on that model usually list the generations of ancestors in phrases such as cao tằng tổ khảo 高曾祖考 and close with the formula thượng hưởng 尚饗.
The newer layer is the văn khấn Nôm, prayers spoken in Vietnamese, of which the prayer on this page is an example. It borrows many Sino-Vietnamese words from the older layer, such as tín chủ, hương linh, hiển khảo and hâm hưởng, but its sentences are Vietnamese sentences that the person praying can read without needing a village scholar. This prayer has no original text with a named author and a known date. The versions in wide circulation today come mainly from popular printed prayer books and from newspapers that copied them. Even books bearing the same title, Văn khấn cổ truyền Việt Nam, were compiled by different people at different publishers.
One example of how far the versions can differ: an article by Phạm Tuấn Minh in the journal Tạp chí Nghiên cứu Phật học (Buddhist Studies Review) in 2024 quotes a version that also says it follows the book from the Culture and Information Publishing House, yet is considerably longer. That version also names the spirit officials of the locality and the Lady of the Land who governs the area, adds the relatives of the lineage who died young and unmarried (bà Cô ông Mãnh), and includes a line of apology saying that the descendants are young and inexperienced, not yet clear about the affairs of the unseen world or of the visible one. The version on this page is shorter. Both are real prayers in current use.
IIThe full text of the prayer for the full moon and new moon
| Verse | Original Vietnamese | English | Plain Vietnamese paraphrase |
|---|---|---|---|
| 1 | Nam mô A Di Đà Phật! (3 lần) | Namo Amitabha Buddha! (three times) | Con xin quy kính Đức Phật A Di Đà. (Niệm ba lần.) |
| 2 | Con lạy chín phương Trời, mười phương chư Phật, chư Phật mười phương. | I bow to Heaven in all nine directions, to the Buddhas of the ten directions, the Buddhas of the ten directions. | Con xin lạy trời ở khắp mọi phương, lạy chư Phật ở khắp mười phương. |
| 3 | Con kính lạy Hoàng thiên, Hậu thổ, chư vị Tôn thần. | I respectfully bow to August Heaven, to Sovereign Earth, and to all the venerable deities. | Con kính lạy Trời cao, Đất dày, cùng các vị thần đáng kính. |
| 4 | Con kính lạy ngài Bản cảnh Thành hoàng, ngài Bản xứ Thổ địa, ngài Bản gia Táo quân cùng chư vị Tôn thần. | I respectfully bow to the Tutelary God of this village, the Earth God of this locality, the Hearth Lord of this household, together with all the venerable deities. | Con kính lạy vị thần giữ làng này, vị thần coi đất vùng này, vị thần giữ bếp giữ nhà con, cùng các vị thần khác. |
| 5 | Con kính lạy Tổ tiên, Hiển khảo, Hiển tỷ, chư vị Hương linh. | I respectfully bow to our ancestors, to my late father and my late mother, and to all the departed souls honoured with incense. | Con kính lạy ông bà tổ tiên, lạy cha và mẹ con đã khuất, cùng hương hồn những người thân đã mất. |
| 6 | Tín chủ (chúng) con là (họ và tên), ngụ tại (địa chỉ). | I (we), the one who offers this worship, am called (full name), residing at (address). | Con (hoặc cả nhà con), người đứng ra cúng lễ, tên là (họ và tên), đang ở tại (địa chỉ). |
| 7 | Hôm nay là ngày Rằm (hoặc mùng Một) tháng (…) năm (…). | Today is the fifteenth day (or the first day) of the (…) month of the year (…). | Hôm nay là ngày rằm (hoặc ngày mùng một) tháng (…) năm (…) theo âm lịch. |
| 8 | Tín chủ con nhờ ơn đức Trời Đất, chư vị Tôn thần, cù lao tiên tổ, thành tâm sắm lễ, hương, hoa, trà, quả, thắp nén tâm hương dâng lên trước án. | Owing to the grace of Heaven and Earth, of the venerable deities, and to the toil of our forebears, I have sincerely prepared offerings of incense, flowers, tea and fruit, and I light an incense stick of the heart before the altar. | Nhờ ơn trời đất, ơn các vị thần và công khó nhọc của ông bà tổ tiên, con thật lòng sửa soạn chút lễ gồm hương, hoa, trà, trái cây, thắp nén hương gửi tấm lòng, dâng lên trước bàn thờ. |
| 9 | Chúng con kính mời: ngài Bản cảnh Thành hoàng chư vị Đại vương, ngài Bản xứ Thần linh Thổ địa, ngài Bản gia Táo quân, Ngũ phương, Long mạch, Tài thần. | We respectfully invite the Tutelary God of this village and the Great Lords, the Earth God and spirits of this locality, the Hearth Lord of this household, the gods of the Five Directions, the spirit of the earth's veins, and the God of Wealth. | Chúng con kính mời thần giữ làng cùng các vị Đại vương, thần coi đất vùng này, thần giữ bếp của nhà, các vị thần năm phương, thần mạch đất và thần giữ của cải. |
| 10 | Cúi xin các Ngài giáng lâm trước án, chứng giám lòng thành, thụ hưởng lễ vật. | We humbly pray that you descend before the altar, bear witness to our sincerity, and receive these offerings. | Cúi xin các ngài xuống trước bàn thờ, thấu cho tấm lòng thật của chúng con và nhận lễ. |
| 11 | Chúng con kính mời các cụ Tổ khảo, Tổ tỷ, chư vị Hương linh gia tiên nội ngoại họ (…), cúi xin thương xót con cháu, linh thiêng hiện về, chứng giám tâm thành, thụ hưởng lễ vật. | We respectfully invite our departed grandfathers and grandmothers and all the ancestral souls of the paternal and maternal lines of the (…) family, humbly praying that you take pity on your descendants, return in spirit, bear witness to our sincere hearts, and receive these offerings. | Chúng con kính mời các cụ ông cụ bà, hương hồn tổ tiên bên nội bên ngoại của họ (…), xin thương con cháu mà về, thấu cho tấm lòng thật và nhận lễ. |
| 12 | Tín chủ con lại kính mời các vị Tiền chủ, Hậu chủ ngụ tại nhà này, đồng lâm án tiền, đồng lai hâm hưởng, | I also respectfully invite the former and later masters who dwelt in this house to come together before the altar and to partake together of these offerings, | Con cũng kính mời những người chủ cũ đã khuất từng ở nhà này, đất này, cùng tới trước bàn thờ, cùng về hưởng lễ, |
| 13 | phù hộ cho gia đình chúng con luôn luôn mạnh khỏe, mọi sự bình an, vạn sự tốt lành, làm ăn phát tài, gia đình hòa thuận. | and to protect our family, that we may always be in good health, that all may be at peace, that all things go well, that our livelihood prosper, and that our household live in harmony. | và xin che chở cho cả nhà con luôn khỏe mạnh, mọi việc yên ổn, việc gì cũng tốt, làm ăn khá lên, trong nhà thuận hòa. |
| 14 | Chúng con lễ bạc tâm thành, trước án kính lễ, cúi xin được phù hộ độ trì. | Our offerings are humble but our hearts are sincere. We bow before the altar and humbly pray to be protected and upheld. | Lễ của chúng con mỏng nhưng lòng thật, chúng con kính lạy trước bàn thờ, cúi xin được che chở và giúp đỡ. |
| 15 | Nam mô A Di Đà Phật! (3 lần) | Namo Amitabha Buddha! (three times) | Con xin quy kính Đức Phật A Di Đà. (Niệm ba lần, rồi vái lạy.) |
IIILine by line commentary
The prayer is in Vietnamese but dense with Sino-Vietnamese words, most of them borrowed from the older style of ritual addresses. Older people know it by heart yet often cannot explain every word either. The section below follows the order of the prayer and explains twelve key passages, noting where copies of the text differ and where people understand them differently.
Nam mô 南無 is a transliteration through Chinese of the Sanskrit namo, meaning to bow in reverence. A Di Đà 阿彌陀 transliterates the Sanskrit name Amitābha, the Buddha of Immeasurable Light, the central Buddha of the Pure Land tradition. The whole line means I pay homage to Amitabha Buddha.
What stands out is that this line opens and closes an ancestor prayer, which is not a Buddhist rite. A separate section below explains why in detail. Here it is only noted that the three repetitions appear in every version the library compared, and that the VOH version adds three bows.
Mười phương 十方, the ten directions, is a Buddhist expression: the eight directions of east, west, south, north, southeast, southwest, northeast and northwest, plus above and below, that is to say everywhere. Chư Phật mười phương means all the Buddhas everywhere, following the Mahayana view that there is not only one Buddha.
Chín phương Trời, Heaven in nine directions, has several explanations that exist side by side. The first reads it as the eight directions plus the center. The second links it to the term cửu thiên 九天 in ancient Chinese books, the nine layers or nine regions of heaven. The third sees it simply as a turn of phrase to balance the ten directions, nine and ten following one another to round off the line. The library records all three and does not choose for you.
The final phrase chư Phật mười phương repeats the previous one in reverse order. This kind of repetition is common in vernacular Vietnamese prayers, making the line firm and rhythmic when read aloud. Some versions leave out this repeated phrase.
Hoàng thiên 皇天 is great Heaven, and Hậu thổ 后土 is the deep Earth. This pair of words appears very early in Chinese writing, naming Heaven and Earth as the two sovereigns of all life. Vietnamese people usually just say trời đất, heaven and earth, and the popular oath có trời có đất, as Heaven and Earth are my witness, carries the same idea.
Chư vị Tôn thần means the venerable deities in general. By this point the prayer has moved from the Buddhas down to Heaven and Earth, then down to the deities. This order is not accidental. It moves from great to small, from far to near, and only then to the affairs of the household.
These three are the three closest layers of protection. The word bản 本 means belonging to this very place. Bản cảnh Thành hoàng is the tutelary god of the village, usually worshipped at the village communal house (đình). Bản xứ Thổ địa is the god who oversees the land of the area. Bản gia Táo quân is the hearth god of this particular house, whom Vietnamese people commonly call ông Táo, the Kitchen God.
Here the name Thổ Công needs mentioning. The prayer does not name Thổ Công, but people in the north customarily call the god who oversees the land within the house Thổ Công, and in everyday speech many people use Thổ Công interchangeably with Táo quân and with ông Công ông Táo. According to one widespread explanation, the Kitchen Gods are three, two men and one woman, named Thổ Công, Thổ Địa and Thổ Kỳ, and the explanations of which god does what do not agree, so the worship of Thổ Công and the worship of Táo quân overlap. Some households keep the custom of praying to Thổ Công with a separate prayer before praying to the ancestors, in the belief that the earth god is master of the house and must be addressed first before the ancestors can come. These understandings exist side by side, and each region keeps its own way.
Khảo 考 is a deceased father, and tỷ 妣 is a deceased mother. These two words are used only for the dead, never for living parents. Hiển 顯 is an honorific placed in front, meaning bright and illustrious, and it is also the word commonly seen on ancestral tablets. So Hiển khảo, Hiển tỷ are the late father and the late mother of the person praying.
The VOH version adds a clear note: if one's parents are still living, one does not say hiển khảo hiển tỷ but replaces them with tổ khảo, tổ tỷ, that is, the grandparents. This is a place where the person praying must adjust the words to the family's own circumstances.
Hương linh 香靈 is the soul of a departed person honored with incense. The word carries a Buddhist tone and is often heard in rites for the deliverance of the dead. Put simply, it is a respectful way of referring to departed relatives.
Tín chủ 信主 is the master of the rite who has faith, that is, the person who makes the offering. The word tín here means faith and sincerity, not membership of an organized religion. The word (chúng) in parentheses is left to the person praying to choose: praying alone, one says tín chủ con, and praying on behalf of the whole household, one says tín chủ chúng con.
Copies of the text differ on this word. The VOH version writes gia chủ, head of the household, and the phatgiao.org.vn version writes hương chủ, master of the incense, and gives the place of residence by commune, district and province. The meaning does not change. Ngụ tại means residing at.
The line giving one's name and residence shows clearly the nature of the prayer: it is like a petition presented to one's superiors, which must state who is presenting it, where they live, and what day it is.
The mùng một, the first day of the lunar month, is called the day of sóc 朔, when the moon cannot be seen in the sky. The rằm, the fifteenth day, is called the day of vọng 望, when the moon is full. This is why the offerings on these two days are also called lễ sóc vọng. The month and year here follow the lunar calendar, and the year is usually named by the sexagenary cycle, as in the year Bính Ngọ.
The VOH version and the version in Tạp chí Nghiên cứu Phật học also include the words gặp tiết, on the occasion of, as in gặp tiết rằm tháng Giêng, on the occasion of the full moon of the first month, used when the full moon day coincides with a festival.
Cù lao 劬勞 here does not mean an island in a river. These two characters mean toil and hardship, taken from a line in the Book of Songs (Shijing) 哀哀父母,生我劬勞, alas, my father and mother, who bore me with such toil. Vietnamese people speak of chín chữ cù lao, the nine words of toil, to mean the labor of giving birth to and raising a child. So cù lao tiên tổ is the toil of the ancestors.
Tâm hương is the incense of the heart. The phrase thắp nén tâm hương, lighting an incense stick of the heart, says that the real incense burning in one's hands is there to carry one's heart. Án 案 is a long table, here meaning the altar, so trước án means before the altar.
The list of offerings in the line includes only incense, flowers, tea and fruit. That is a simple vegetarian offering. In practice each household names whatever it offers. Some add betel and areca, and some add a tray of cooked food.
In the invitation, the prayer names three more figures not found in the opening bows. Ngũ phương 五方 is the five directions, east, west, south, north and the center, here meaning the gods of the five directions. Long mạch 龍脈, the dragon vein, is the vein of the earth in feng shui thought, here meaning the spirit of the earth vein on which the house stands. Tài thần 財神 is the God of Wealth.
This passage shows that the prayer gathers several layers of belief into one: Buddhism in the invocation of the Buddha, ideas of Heaven and Earth and of village gods in the bows, and feng shui in the word long mạch. The copies differ most in this list. Some leave out the God of Wealth, and some add quan Thần linh and bà Chúa đất, the spirit officials of the locality and the Lady of the Land.
Tổ khảo, Tổ tỷ are the deceased grandfather and grandmother. The word tổ 祖 here refers to the grandparents' generation. When praying at major rites, many versions list all the generations with the phrase cao tằng tổ khảo 高曾祖考, read from the most distant to the nearest: cao is the fourth generation counting upward, the great-great-grandparents (kỵ), tằng is the third generation, the great-grandparents (cụ), tổ is the grandparents' generation, and khảo is the father's generation. For the women the word khảo is replaced with tỷ, giving cao tằng tổ tỷ. The prayer for the full moon and new moon on this page simply says tổ khảo, tổ tỷ, while the prayers used for Tết (the Lunar New Year) and for death anniversaries usually list the full cao tằng tổ khảo, cao tằng tổ tỷ.
Nội ngoại means the paternal and maternal sides, and the blank họ (…) is for the family name of the lineage. Linh thiêng hiện về is the invitation for the spirits of the ancestors to return to their descendants. The word chứng giám means to look upon and bear witness. In this line the VietNamNet version writes chứng giám tâm thành and the VOH version writes chứng giám lòng thành. The library follows the VietNamNet version.
Tiền chủ 前主 are the former owners who once lived on this land. Hậu chủ 後主 is understood in different ways. Some explain it as the later owners, the successive generations of owners on that plot of land who have since died. Others explain it as the spirits bound to this land whom no one worships any longer. Both readings point to a shared idea: this house and this land had people living on them before, and the offering invites them too.
Đồng lâm án tiền 同臨案前 means to come together before the altar. Đồng lai hâm hưởng 同來歆享 means to come together and partake of the offerings. The word hâm 歆 originally refers to spirits partaking of the scent and essence of the offerings, not eating as the living do.
This phrase is close to the closing formula of ritual addresses in Classical Chinese, phục duy thượng hưởng 伏惟尚饗. Phục duy means to bow down and hope, and thượng hưởng means please come and partake. The prayer for the full moon and new moon does not contain this line. It is usually found at the end of the ritual addresses read on death anniversaries and at ancestral sacrifices, and people commonly call it simply the thượng hưởng line.
Lễ bạc tâm thành means the offering is meager but the heart is sincere. This is a familiar Vietnamese way of speaking modestly, like saying one has brought a small gift when visiting someone. The line places the weight on the heart, not on the tray of offerings.
Phù hộ 扶護 means to uphold and shelter. Độ trì 度持 means to rescue and preserve. The pair phù hộ độ trì is the most familiar request in Vietnamese prayers. The line before it lists the things asked for: health, peace, a good livelihood and harmony in the home. These are very ordinary things, and nothing goes beyond the affairs of a single household.
IVWhy the prayer opens with a Buddhist invocation
Young people hearing the prayer for the first time often wonder about one thing: our family does not go to the pagoda and has not taken refuge in the Buddha, so why does the prayer to our grandparents begin and end with Nam mô A Di Đà Phật? This question leads straight to the point where folk belief and Buddhism have blended together in Vietnamese life.
Ancestor veneration came first, the Buddhist invocation later
As the main page on Ancestor Veneration notes, the veneration of forebears in Vietnam existed before the great religions arrived. When Buddhism came, it did not ask people to give up their ancestral altars but joined itself to them. Vu Lan, the festival on the full moon of the seventh lunar month, is the clearest meeting point: a Buddhist festival whose content is repaying the kindness of one's parents. In many homes the Buddha altar stands higher than the ancestral altar, and the two are present together without getting in each other's way.
The Buddhist invocation in the prayer is a trace of that connection at the level of words. The prayer is not a Buddhist scripture, but it borrows the most familiar invocation of Buddhism to open and close the words addressed to the ancestors.
The Pure Land tradition itself holds that Amitabha Buddha made a vow to receive into the Land of Ultimate Bliss all beings who call upon his name. For this reason Nam mô A Di Đà Phật is the most common invocation in Northern, or Mahayana, Buddhism in Vietnam, heard in the greetings exchanged at pagodas, at funerals and in rites for the deliverance of the dead. For the departed, the invocation is tied to the hope that loved ones will be liberated and reach a place of peace. Placing that line at the head of an ancestor prayer, as Buddhists understand it, puts the words addressed to the ancestors under the witness of the Buddha and asks that the souls of the ancestors be at peace.
From a research perspective, an article by Phạm Tuấn Minh in Tạp chí Nghiên cứu Phật học on 15 November 2024 analyzes this very model of the ancestor prayer for the first and fifteenth of the month and points out several places of blending. First, the line Nam mô A Di Đà Phật comes from the Pure Land tradition and is tied to the wish for protection. Second, there is the use of odd numbers in the offerings and in the number of incense sticks, which people explain in several ways, one of them linking it to the Three Jewels of Buddhism. Third, there is the spirit of repentance and compassion in the lines asking forgiveness and asking for blessings, which the author sees as the place where folk belief meets the spirit of Buddhism.
One more practical point about the text should be added. The book Văn khấn cổ truyền Việt Nam from the Culture and Information Publishing House, the source of many versions in circulation today, names the Venerable Thích Thanh Duệ, a Buddhist monk, as its editor. In other words, the popular printed prayer books themselves have passed through the hands of Buddhists. That partly explains why the layer of Buddhist words such as hương linh and chư Phật mười phương is so strong in the prayer.
One prayer, three layers of belief
Rereading the whole prayer with an observer's eye, at least three layers can be seen woven together. The Buddhist layer lies in the invocation of the Buddha, in the words chư Phật mười phương and in the word hương linh. The layer of belief in Heaven and Earth and in local deities lies in Hoàng thiên Hậu thổ, the village Thành hoàng, Thổ địa and Táo quân. The Confucian layer of family rites lies in the words khảo, tỷ, hiển and tín chủ, in the listing of ancestral generations and in the very hierarchy of the prayer. On top of that comes a touch of feng shui in the word long mạch.
The people who pray do not see these as four things stacked on top of each other. They see one prayer, one custom. That is why, in the section on misunderstandings below, the library records that the Buddhist invocation in the prayer does not mean that the household follows Buddhism, and that households that do not follow Buddhism sometimes keep the line all the same.
VOfferings, the three regions and other prayers
This section describes what is usually found around the prayer: the offering tray for the full moon and new moon, how it is laid out, the differences among the three regions of Vietnam, and the other occasions in the year that have prayers of their own. The library describes what is common and sets no standard, because those who keep the ancestral altars have no common standard either.
The offering tray for the full moon and new moon
The monthly sóc vọng offering is usually a small one. The prayer itself names the offerings: incense, flowers, tea and fruit. That is also the most common tray. People change the water in the cup on the altar, change the flowers in the vase, set out a plate or tray of fruit, pour a cup of tea or rice wine, light lamps or candles, and then light incense. Many households add a plate of betel and areca, especially in the north.
On whether the offering is vegetarian or includes meat, households differ. Many make a vegetarian offering on the full moon and new moon days, only incense, flowers and fruit, sometimes with sticky rice and sweet soup, because those two days coincide with the days on which Buddhism encourages a vegetarian diet. Some households prepare a meal with meat and fish to invite the ancestors as at an ordinary family meal. Some make a vegetarian offering at the Buddha altar and a meat offering at the ancestral altar. No way is considered a common standard.
As for the layout, the usual arrangement places the incense bowl in the middle at the back, lamps or candles on either side, the vase of flowers and the fruit tray in front of the incense bowl, and the cups of water and wine on the same row as the incense bowl or just in front of it. Many households keep the rule đông bình tây quả, east vase and west fruit, meaning that, seen from the altar looking out, the vase stands on the east side and the fruit on the west. This rule too differs from place to place.
Differences among the three regions
| Region | Common features |
|---|---|
| North | Altars usually hold many ritual objects, with a footed tray for fruit, a plate of betel and areca, and a high altar in the central bay of the house. Many households pray to Thổ Công with a separate prayer before praying to the ancestors. The prayer is usually read as a full text as on this page, sometimes copied onto paper to be read. |
| Central | Customs of worship in Huế and the surrounding area are influenced by the ritual style of the Nguyễn court, with neat and solemn altars and offerings laid out in proper order. Many families keep to vegetarian offerings on the full moon and new moon days. The prayer is usually shorter, and in some places people pray in their own words. |
| South | People commonly say cúng rằm and cúng mùng một, making the full moon offering and the first day offering, and call flowers bông. Besides the ancestral altar inside the house, many homes have a Thông Thiên altar, also called bàn thiên, set out on the porch to worship Heaven, and an altar to Ông Địa, the Earth God, together with Thần Tài, the God of Wealth, placed right on the floor. The prayer is usually plain, and many people bow and speak in their own words instead of reading the whole prayer. |
It should be made clear that the differences above are differences of custom, not of right and wrong. The main page on Ancestor Veneration makes this its opening statement: customs differ from region to region and from clan to clan, and none of them is wrong.
Other occasions with prayers of their own
The prayer on this page is the prayer for the small monthly offering. Prayer books print a whole set of other prayers, one for each occasion, with a similar structure but different words for the date and different requests. The table below lists the most common occasions.
| Occasion | Usual prayer of its own |
|---|---|
| The twenty-third of the twelfth lunar month | The prayer to send ông Công ông Táo, the Kitchen Gods, back to Heaven. |
| The afternoon of the last day of the year | The year-end prayer and the prayer to welcome the ancestors home for Tết. |
| New Year's Eve | Two separate prayers: one said outdoors at the turn of the year and one said indoors. |
| The first day of Tết and the day of burning votive paper | The ancestor prayer for Tết, and the prayer to see the ancestors off on the third or fourth day, depending on the household. |
| The full moon of the first month | The prayer for Tết Nguyên Tiêu, that is, the Thượng Nguyên full moon. |
| The Thanh Minh festival | The prayer said when tending the graves, that is, going to tidy and repair the ancestors' tombs. |
| Death anniversaries | Two prayers: one for the tiên thường day, the day before the anniversary, and one for the chính kỵ, the anniversary day itself. The anniversary prayer usually lists the full cao tằng tổ khảo and names the person being commemorated. |
| The full moon of the seventh month | The ancestor prayer for Vu Lan, and a separate prayer offering food to wandering souls, set out in the open air. |
| Major family events | Prayers informing the ancestors of a wedding, a birth, a move into a new house or a long journey. |
Besides the vernacular prayers, large lineages also keep the tradition of ritual addresses in Classical Chinese for ancestral sacrifices at the clan hall, and at the national level there is a shared anniversary, the Commemoration Day of the Hùng Kings (Giỗ Tổ Hùng Vương) on the tenth day of the third lunar month, a belief inscribed by UNESCO in 2012 according to the library's page on the Hùng Temple. At that point the ancestor prayer at home and the incense offering at the Hùng Temple belong to one current, differing only in scale.
VIWhen and how Vietnamese people pray
The sóc vọng offering is the most regular rite at the ancestral altar, twice every month. The section below describes what an observer usually sees in families, not instructions for you to follow.
Most commonly in the morning of the first and fifteenth days. Some households make the offering the evening before, that is, the evening of the thirtieth, or of the twenty-ninth in a short month, and the evening of the fourteenth. Some make it in the afternoon after work. The rhythm of city life has shifted offering times a great deal.
By old custom, the person praying is the head of the household, usually the eldest man or the eldest son. Today, in a great many households, the person praying is the mother or the wife, the one who looks after the daily worship. The person praying says tín chủ con on behalf of the whole household.
The person praying stands or kneels before the altar and lights incense, usually three sticks on the full moon and new moon days, holds the incense in both hands at forehead level, bows, and then prays. After praying, they place the incense in the incense bowl and bow again. Many people say Nam mô A Di Đà Phật three times with three bows at the beginning and at the end.
Most people pray softly, just loud enough to hear themselves, or silently. Some know it by heart, and some hold a sheet of paper with it written out or read it on a phone. Some do not read the prayer at all and simply say a few lines in their own words.
People wait until the incense has almost burned down, what is popularly called one round of incense, before taking the offerings down. The flowers and fruit taken down are shared among the household, which is called thụ lộc, receiving the blessing. Some households burn votive paper after the offering, and some do not.
Households with a Buddha altar usually light incense there first. Households with an altar to Thổ Công or Thần Tài, or a bàn thiên, have their own customs about the order, usually the deities first and then the ancestors, exactly as in the order of the prayer itself.
Differences between households
Devout Buddhist households may chant a short sutra such as the Heart Sutra or recite the Buddha's name before praying to the ancestors. Households that follow no religion still keep the prayer with its Buddhist invocation, because it is the prayer they know. Families of other religions who keep an altar to their forebears usually use the prayers of their own faith instead of this one. Young people living away from home in rented rooms often have no altar, and simply light a stick of incense or call home to remind the family that today is the full moon.
The library records these things to help you understand what you see in your own home and in the homes of others. Which customs a household keeps is that household's own affair, and the people who know the household's customs best are its elders.
VIICommon misunderstandings
Because the prayer has been copied so often, in books, in newspapers and online, and each place copies it differently, many mistaken ideas have grown up around it. The five points below are the ones met most often.
There is no single standard prayer. The four versions the library compared, though they all cite the same publisher, already differ in the word tín chủ, gia chủ or hương chủ, in the list of deities invited, and in lòng thành or tâm thành. It is the structure and the meaning of the prayer that are stable. Prayer books also commonly note that what matters most is a sincere heart.
The Buddhist invocation entered the ancestor prayer through the long blending of folk belief and Buddhism. Many households that have not taken refuge and do not go to the pagoda still keep the line, because it is the prayer they learned from their grandparents. Conversely, some households go to the pagoda regularly yet pray to their ancestors in plain words without the Buddhist invocation.
Khảo is a deceased father and tỷ a deceased mother. Someone whose parents are still living who says hiển khảo hiển tỷ is misusing the words. The VOH version states clearly that in this case they are replaced with tổ khảo, tổ tỷ, that is, the grandparents. To refer broadly to all the generations, the phrases cao tằng tổ khảo and cao tằng tổ tỷ are used.
Cù lao in this line is a Sino-Vietnamese word meaning toil, taken from the line in the Book of Songs about the hardship of parents in bearing their children, the same root as in the phrase chín chữ cù lao. It has nothing to do with cù lao meaning an islet in a river.
Ancestor veneration itself is very old, but the vernacular prayer as read today has no original text with a named author and a known date. The versions in wide circulation come mainly from popular printed prayer books, and each reprint may add or drop something. The ritual addresses in Classical Chinese found in the family rites are the older layer of text, and they differ from this prayer in both wording and sentence structure.
?Quick Questions
Is there a standard version of the ancestor prayer for the full moon and new moon
There is no single standard version. The prayer is a folk text with no author, and no religious body has issued it. The most common form is printed in the book Văn khấn cổ truyền Việt Nam from the Culture and Information Publishing House and copied by the press, but even the copies differ by a few words. This page follows that form and notes clearly where the versions differ.
What does tín chủ mean
Tín chủ 信主 is the master of the rite who has faith, that is, the person who makes the offering on behalf of the whole household. The word tín here means faith and sincerity, and does not mean a follower of a religion. Praying alone, one says tín chủ con, and praying on behalf of the household, tín chủ chúng con. Some prayer texts write gia chủ or hương chủ instead, with no change in meaning.
How do hiển khảo, hiển tỷ and cao tằng tổ khảo differ
Khảo 考 is a deceased father, tỷ 妣 a deceased mother, and hiển is an honorific. So hiển khảo hiển tỷ are the late father and mother of the person praying. Cao tằng tổ khảo lists all the generations on the paternal side from the most distant to the nearest: cao is the great-great-grandparents, tằng the great-grandparents, tổ the grandparents and khảo the father. For the women it is cao tằng tổ tỷ. The full moon and new moon prayer usually uses the short form, while the prayers for death anniversaries and for Tết tend to list every generation.
Why does the prayer to the ancestors begin with Nam mô A Di Đà Phật
Because in Vietnamese life, ancestor veneration and Buddhism have long been blended together. Nam mô A Di Đà Phật is the most familiar invocation of Pure Land Buddhism, tied to the hope that the departed will reach a place of peace. The popular printed prayer books have also passed through the hands of Buddhists, such as the book Văn khấn cổ truyền Việt Nam edited by the Venerable Thích Thanh Duệ. The invocation does not mean that the household of the person praying must follow Buddhism.
What does phục duy thượng hưởng mean, and is it in the full moon prayer
Phục duy thượng hưởng 伏惟尚饗 is the closing formula of ritual addresses in Classical Chinese, meaning to bow down and hope, please come and partake of the offerings. It is usually found at the end of the ritual addresses read on death anniversaries and at ancestral sacrifices in the clan hall. The vernacular prayer for the full moon and new moon does not contain it. The closest idea in the prayer is the phrase đồng lai hâm hưởng, come together and partake, and the phrase thụ hưởng lễ vật, receive these offerings.