Leave National Highway 1A at the Cầu Voi area and travel about five hundred meters along a tree-shaded lane bordering the southern bank of the Cầu Voi River (an ancient waterway linking the Vàm Cỏ Tây and Vàm Cỏ Đông rivers), and you will come upon a moss-grown fish-scale-tiled pagoda resting quietly amid an orchard of old trees. Stepping through the triple-arched gate into the main hall built in the traditional Southern Vietnamese Four-Emblem (Tứ tượng) style, the scent of century-old timber mingled with sandalwood incense and the warm red-and-gold lacquer of nineteenth-century carved wooden friezes, horizontal boards, and parallel couplets carries the pilgrim back to the golden era of Gia Định Buddhism. This is Kim Cang Ancestral Pagoda (Tổ đình Kim Cang), known in Chinese characters as Kim Cang Tự (金剛寺).
In the history of Southern Vietnamese Buddhism, Kim Cang Ancestral Pagoda has long been revered as one of the Four Great Ancient Pagodas (Tứ đại cổ tự) of the historic Gia Định and Long An region (alongside Tôn Thạnh, Phước Lâm, and Long Thạnh or Giác Lâm pagodas). More than an ancestral seat of the Lâm Tế Zen lineage dating back to the late eighteenth and early nineteenth centuries, this riverside monastery was the first place in Southern Vietnam to open a formal Buddhist monastic school that nurtured leading masters of the twentieth-century Buddhist Revival Movement, and served as the largest woodblock scripture printing and publishing center in the Six Provinces of Cochinchina, preserving intact a treasure of 299 Chinese Buddhist woodblocks to this day.
IThe Lâm Tế Zen lineage of Gia Định, the prophetic dream of the Vajra deity and the cradle of Southern monastic education
Kim Cang Ancestral Pagoda belongs to Northern-tradition (Mahayana) Buddhism, within the orthodox Lâm Tế (Linji) Zen school (the Liễu Quán and Chúc Thánh dharma lineages) (Buddhism). Its title, Kim Cang Tự (金剛寺, Diamond or Vajra Temple), carries two profound layers of meaning: it evokes the great Mahayana scripture Vajracchedikā Prajñāpāramitā Sūtra (The Diamond Sutra, Kinh Kim Cang), symbolizing indestructible, diamond-sharp prajna wisdom that cuts through all delusion and attachment, while also commemorating a prophetic dream of the Vajra Guardian Deity (Thần Kim Cang) experienced by the patriarch who relocated and revitalized the temple in the mid-nineteenth century.
When investigating the founding origins of Kim Cang Ancestral Pagoda beside the Kim Cang creek (Cầu Voi River), historians of Southern Vietnamese Buddhism and local records note two complementary textual traditions, both of which the Hall of Myriad Paths library faithfully documents.
According to the first tradition preserved in regional oral accounts of Gia Định and Tân An as well as certain summaries of the Lâm Tế Chúc Thánh lineage in the South, the earliest missionary footsteps tied to the precursor of Kim Cang Pagoda along the Kim Cang waterway reach back to the Kỷ Dậu year (1789) and the dharma name of Zen Master Minh Phương - Chánh Đắc (38th generation of the Lâm Tế Chúc Thánh lineage), reflecting the wave of eminent monks from Central Vietnam who accompanied southern settlers to erect thatched hermitages along the Vàm Cỏ river basin in the late eighteenth century.
Meanwhile, according to the second tradition established in the Provincial Historical and Cultural Heritage Dossier of the former Long An Provincial People's Committee (Decision No. 2157/QĐ-UBND of 2011) and published in Giác Ngộ Newspaper (the official organ of the Vietnam Buddhist Sangha in Ho Chi Minh City), the documented direct predecessor of the monastery was Phước Long Tự (福龍寺), founded in the Canh Thìn year (1820), the first year of the Minh Mạng reign, at Bình Khuê village (now in the Tân Trụ area, where the ancient stupa of the founder still stands) by Patriarch Đại Bồ - Thiện Đề (37th generation of the Lâm Tế lineage). After Patriarch Đại Bồ passed into nirvana, Phước Long Tự remained without an abbot for a period. In the Ất Sửu year (1865) under Emperor Tự Đức, Most Venerable Hải Lương - Chánh Tâm (also revered as Patriarch Minh Lương - Chánh Tâm, 1836 - 1906, 40th generation of the Lâm Tế lineage and dharma heir of Great Patriarch Tiên Giác - Hải Tịnh of Giác Lâm Ancestral Pagoda in Gia Định) accepted the earnest invitation of local lay followers to take charge of and restore the ancient temple.
Right in that year of 1865, a remarkable spiritual episode led to the relocation of the monastery and its renaming as Kim Cang Tự. Temple chronicles record that during his night meditations at the old pagoda in Bình Khuê village, Patriarch Chánh Tâm dreamed of a majestic Vajra Guardian Deity (Thần Kim Cang) who instructed him: Move the monastery out to the bank of the great river so that the Dharma vein may flourish enduringly. The next morning, as the Patriarch walked into the temple garden, a large snake suddenly appeared before him, following the snake, he watched it glide straight to the southern bank of the Cầu Voi River (in the Bình Thảo - Bình Cang area of former Bình Thạnh Commune) before vanishing into the water, revealing a high, level, and open plot of land overlooking the curving river. Seeing that the physical landscape matched the Vajra Deity's prophetic dream and receiving generous land donations from local landowners, Patriarch Chánh Tâm moved the entire pagoda to its present riverside location on the Cầu Voi River and formally changed its name from Phước Long Tự to Kim Cang Tự in gratitude to the Vajra Guardian who had pointed out the auspicious site.
Following its move to the bank of the Cầu Voi River in 1865, and especially during its golden era from 1878 to 1906, Kim Cang Ancestral Pagoda under the leadership of Patriarch Minh Lương - Chánh Tâm and eminent contemporaries and successors such as Zen Master Đạt Lý - Huệ Lưu (born in 1857 in Nhựt Tảo village, Long An, 41st generation of the Lâm Tế lineage) fulfilled the prophetic dream in full. The monastery became the premier center of Buddhist culture and scholarship in Southern Vietnam during the late nineteenth century, and was the first monastery in the South to open formal Buddhist monastic classes (trường hương and trường kỳ lecturing on the Tripitaka). From the lecture hall and ordination platform of Kim Cang Ancestral Pagoda, many pillar masters of twentieth-century Southern Buddhism, including Most Venerable Như Trí - Khánh Hòa (Patriarch Khánh Hòa, the leading figure of the Southern Buddhist Revival Movement), Most Venerable Khánh Huy, and Most Venerable Khánh Đức, came to study the Dharma, receive ordination, or lecture before spreading the teachings across the Six Provinces. Through the twentieth and early twenty-first centuries, the monastic discipline of this ancestral seat continued to be upheld by eminent elders, notably Most Venerable Elder Thích Đạt Đồng (1920 - 2016, Member of the Supreme Patriarch Council of the Vietnam Buddhist Sangha) and Venerable Thích Tắc Ngộ.
Many people hearing of a rural pagoda along the Vàm Cỏ river system assume that nineteenth-century countryside temples in Southern Vietnam were merely small village shrines for chanting and folk medicine. The historical reality at Kim Cang Ancestral Pagoda was the exact opposite: in the late nineteenth century, before Western mechanical printing presses were adopted by local Buddhist circles, this monastery on the Cầu Voi River operated as the largest woodblock scripture publishing house in all of Gia Định and the Six Provinces of Cochinchina, supplying printed Chinese scriptures to hundreds of monasteries across the Mekong Delta.
IIOver two centuries from Phước Long Tự to the woodblock printing center of Gia Định and provincial heritage site
Across more than two hundred years of history in the gateway region linking Saigon - Gia Định with the Southwestern Mekong Delta, Kim Cang Ancestral Pagoda has passed through defining milestones of Southern Vietnamese Buddhism.
After Patriarch Chánh Tâm relocated the monastery to the Cầu Voi riverbank in the Ất Sửu year (1865), the construction of the grand monastic complex and the carving of scripture woodblocks proceeded continuously throughout the final three decades of the nineteenth century. Patriarch Chánh Tâm and contemporary masters gathered skilled woodcarvers from Central Vietnam and the Gia Định region, selecting fine-grained, durable persimmon wood (gỗ thị), jackfruit wood (gỗ mít), and Wrightia wood (gỗ lòng mức) to carve mirror-reversed Chinese characters of major Mahayana sutras. Whenever monastic retreats (trường hương) or grand ordination ceremonies were held, thousands of sutra copies printed on dó paper from the Kim Cang woodblocks traveled by boat from the Cầu Voi wharf out to the Vàm Cỏ Tây and Vàm Cỏ Đông rivers, reaching temples throughout Eastern and Western Cochinchina.
Through restorations in the early twentieth century and the post-1975 period under the spiritual witness of Most Venerable Elder Thích Đạt Đồng and the abbacy of Venerable Thích Tắc Ngộ, Kim Cang Ancestral Pagoda has preserved intact its woodblock collection, antique statues, and nineteenth-century timber frame. Recognizing its exceptional value in Buddhist educational history and its unique woodblock heritage, on 12 July 2011 the former Long An Provincial People's Committee issued Decision No. 2157/QĐ-UBND ranking Kim Cang Pagoda as a Provincial Historical and Cultural Heritage Site (with the formal certificate ceremony held on 29 July 2011). Regarding administrative boundaries, effective 1 July 2025, pursuant to National Assembly Resolution No. 202/2025/QH15 merging Long An and Tây Ninh into the new Tây Ninh Province, and Standing Committee Resolution No. 1682/NQ-UBTVQH15 dated 16 June 2025, Bình Thạnh Commune (containing Bình Cang 1 / Bình Thảo hamlet) was merged with Thủ Thừa Town and parts of Tân Thành and Nhị Thành communes to form Thủ Thừa Commune directly under Tây Ninh Province.
- 1789 / 1820Lâm Tế Zen missionary origins and founding of Phước Long TựRegional lineage tradition notes the Kỷ Dậu year (1789) of the Lâm Tế Chúc Thánh school, while the official heritage dossier records the Canh Thìn year (1820, 1st year of Minh Mạng) when Patriarch Đại Bồ - Thiện Đề (37th Lâm Tế generation) founded Phước Long Pagoda at Bình Khuê village.
- 1865Patriarch Minh Lương - Chánh Tâm relocates the temple to the Cầu Voi River and names it Kim Cang TựIn the Ất Sửu year (1865) under Emperor Tự Đức, Most Venerable Hải Lương - Chánh Tâm (Minh Lương - Chánh Tâm, 40th Lâm Tế generation), guided by a dream of the Vajra Deity and a sacred snake, moved the temple to the Cầu Voi riverbank and renamed it Kim Cang Tự.
- 1878 - 1906First Southern Buddhist academy and largest scripture woodblock printing house in CochinchinaUnder Patriarch Chánh Tâm and eminent collaborators such as Zen Master Đạt Lý - Huệ Lưu, the monastery opened the first formal Buddhist school in the South (where Patriarch Khánh Hòa studied) and carved hundreds of Chinese sutra woodblocks.
- 1906Patriarch Minh Lương - Chánh Tâm enters nirvanaClosing nearly four decades of illustrious Dharma propagation by the founder of Kim Cang Tự, leaving behind his patriarch stupa and the treasury of scripture woodblocks.
- 20th centurySafeguarding the ancestral seat under Most Venerable Elder Thích Đạt ĐồngSuccessive generations of abbots, notably Most Venerable Elder Thích Đạt Đồng (1920 - 2016, Member of the VBS Supreme Patriarch Council) and Venerable Thích Tắc Ngộ, preserved all 299 woodblocks and 19th-century artifacts.
- 2011Ranked as a Provincial Historical and Cultural Heritage SiteOn 12 July 2011, the former Long An Provincial People's Committee issued Decision No. 2157/QĐ-UBND recognizing Kim Cang Ancestral Pagoda as a provincial heritage site.
- 2025Incorporated into Thủ Thừa Commune, new Tây Ninh ProvinceUnder Resolution No. 202/2025/QH15 and Resolution No. 1682/NQ-UBTVQH15 dated 16 June 2025, the pagoda is located in Thủ Thừa Commune, Tây Ninh Province.
IIITraditional Southern Four-Emblem architecture, nineteenth-century statues and the 299 Chinese scripture woodblocks
Although its tile roofs and outer walls have been reinforced over time to withstand the humid tropical monsoon climate, Kim Cang Ancestral Pagoda retains the authentic nineteenth-century timber architectural character of Southern Vietnamese monasteries built in the Four-Emblem house style (nhà Tứ tượng, 四象) combined with the Buddha in front, Patriarchs in back (tiền Phật hậu Tổ) plan. The structural core of the Main Hall and Patriarch Hall rises upon four massive central ironwood columns (tứ trụ) forming a square frame that symbolizes the Four Immeasurable Minds (Loving-kindness, Compassion, Empathetic Joy, Equanimity) and the Four Noble Truths, from those four main columns, radiating tie-beams and rafters extend outward in four directions to support outer rows of columns and gently sloping roofs that ensure natural ventilation.
Stepping inside the Main Hall, nineteenth-century Southern Vietnamese woodcarving artistry comes alive through resplendent red-and-gold lacquered openwork decorative archways (bao lam Thành vọng) carved with themes of Two Dragons Flanking the Dharma Wheel, the Nine-Tiered Lotus, Plum Blossoms and Birds, and Peonies and Pheasants. Hung along the dark, time-polished round wooden columns are curved trough-shaped parallel couplets (liễn đối lòng máng) and Chinese horizontal boards dedicated by eminent monks and Confucian scholars of Gia Định and Tân An during the reigns of Emperors Tự Đức and Thành Thái.
The nineteenth-century Buddhist pantheon and the heritage of 299 Chinese scripture woodblocks
Upon the altars of Kim Cang Ancestral Pagoda stand nearly one hundred antique statues dating from the nineteenth century, carved from jackfruit wood and precious timber, cast in bronze, or molded in lacquered clay in the serene sculptural idiom of Southern Vietnam. The highest tier of the main tabernacle enshrines the Three Times Buddhas (Tam Thế Phật) and the Amitabha Triad (Di Đà Tam Tôn: Amitabha Buddha, Avalokitesvara Bodhisattva, and Mahasthamaprapta Bodhisattva), the next tier honors Shakyamuni Buddha attended by Ananda and Mahakasyapa, while the left and right altars display sets of the Ten Kings of Hell (Thập Điện Minh Vương), the Eighteen Arhats (Thập Bát La Hán), and Skanda and Ulkamukha Guardians (Hộ Pháp Vi Đà - Tiêu Diện Đại Sĩ, notably the Vajra Guardian statue tied to Patriarch Chánh Tâm's founding dream), alongside a resonant nineteenth-century bronze great bell (đại hồng chung).
The priceless treasure that gives Kim Cang Ancestral Pagoda its unique heritage stature in the lower Vàm Cỏ basin is its collection of 299 woodblocks (mộc bản, wooden printing blocks carved in Chinese characters) carefully preserved inside the monastery. Each woodblock is a rectangular plank of fine-grained persimmon or precious wood treated against termites over a century and a half ago, carved on both faces by nineteenth-century patriarchs and master artisans with mirror-reversed relief Chinese characters of remarkable sharpness and uniformity. The 299 woodblocks encompass the essential Mahayana sutras, vinaya texts, treatises, and liturgical manuals used across Southern Vietnam at the time, including the Diamond Sutra (Kinh Kim Cang Bát-nhã-ba-la-mật), the Heart Sutra (Bát-nhã Ba-la-mật-đa Tâm kinh), the Lotus Sutra (Kinh Diệu Pháp Liên Hoa), the Repentance Sutra (Kinh Sám Hối), the Fivefold Repentance Text (Kinh Ngũ Hối), and the Tân San Bổ Chính Yếu Đại Đoàn.
A collection of 299 double-sided wooden printing blocks carved in mirror-reversed Chinese characters for the Diamond, Lotus, Heart, and Repentance sutras, bearing witness to the largest Buddhist press in old Gia Định.
Classical timber framework anchored by four central main columns with rafters extending in four directions, preserving nineteenth-century openwork wooden friezes and curved column couplets.
Nearly one hundred antique jackfruit-wood and bronze statues of the Three Times Buddhas, Amitabha Triad, Eighteen Arhats, Ten Kings, and the Vajra Guardian in classical Southern sculptural style.
A large nineteenth-century bronze bell, temple drum, wooden fish, and antique bronze censers used during historic monastic retreats and ordination platforms.
The tranquil stupa garden enshrining the relics of Patriarch Minh Lương - Chánh Tâm and successive generations of abbots who built the academy and carved the woodblocks at Kim Cang Tự.
IVThe lie of the land and the facing
This section is the library's own reading through the eyes of traditional form-school feng shui on the actual alluvial terrain of the Vàm Cỏ river basin, not something recorded in the pagoda's stelae. We state this clearly so that readers can distinguish historical records from geographical feng shui interpretation.
Placing Kim Cang Ancestral Pagoda on the hydrographic map of the inter-river plain between the two Vàm Cỏ rivers at coordinates 10.57518 degrees North latitude and 106.43821 degrees East longitude, a practitioner of form-school feng shui immediately understands why in the Ất Sửu year (1865) Patriarch Minh Lương - Chánh Tâm's dream of the Vajra Deity instructed him to move the monastery from the inland fields of Bình Khuê out to the bank of the Cầu Voi River (Kim Cang Creek). Across the flat alluvial delta of Southern Vietnam where there are no high mountains, water itself acts as the dragon vein (Thủy long): for a great monastery to gather human vitality, sustain a Buddhist academy, and circulate printed scriptures throughout the Six Provinces, it had to stand beside a major navigable waterway. The Cầu Voi River (Kim Cang Creek) is a vital natural channel linking the basin of the Vàm Cỏ Tây River (to the southwest, passing Tân An) with the basin of the Vàm Cỏ Đông River (to the northeast, passing Bến Lức), forming one of the busiest waterborne arteries at the gateway of old Gia Định.
In terms of site configuration and facing, Kim Cang Ancestral Pagoda stands on high ground along the southern bank of the Cầu Voi River, resting its back firmly against the fertile alluvial plain of Bình Thảo and Bình Cang as its rear backing (hậu chẩm), while opening its main facade toward the North and Northwest directly facing the Cầu Voi River as it curves gently past the triple-arched gate. In river-delta feng shui, the waterway flowing across the front of the pagoda serves as the inner bright hall (nội minh đường) that gathers water, moderating a cool microclimate year-round while drawing vital water qi from the two great Vàm Cỏ rivers to converge before the Buddha hall. Moreover, the river landing right in front of the bright hall was the very wharf where boats carrying monks and lay followers from Gia Định, Định Tường, and Vĩnh Long moored to attend monastic retreats and receive sutra copies printed from the 299 Kim Cang woodblocks, fulfilling the classical delta maxim: Where water gathers, people gather, where water flows freely, the Way spreads far.
VAnnual memorial rites for the founding patriarchs and traditional Buddhist festivals at Kim Cang Ancestral Pagoda
As an ancient ancestral seat of the Lâm Tế Zen lineage in the former Long An region (now Tây Ninh Province), Kim Cang Ancestral Pagoda faithfully upholds the major liturgical festivals of Northern-tradition Buddhism alongside annual memorial days (húy kỵ) honoring the founding and restoring patriarchs.
| Lunar date | Rite or festival | Traditional rituals and spiritual activities |
|---|---|---|
| 15th day of the 1st lunar month | First Full Moon (Thượng Nguyên) peace-prayer ceremony | Recitation of the Medicine Buddha Sutra and Lotus Sutra in early spring, drawing Buddhists from Thủ Thừa, Tân An, and Bến Lức to venerate the Buddha, view the antique woodblocks, and pray for family peace. |
| 15th day of the 4th lunar month | Grand Buddha's Birthday Celebration (Vesak) | Solemn Bathing of the Buddha (Mộc dục) ritual in the Four-Emblem main hall, Dharma lectures, and commemoration of the ancestral pagoda's scholastic heritage. |
| 15th day of the 7th lunar month | Vu Lan Filial Piety Festival and Monastic Pavarana Day | Rose-pinning ceremony for filial piety, chanting of the Ullambana Sutra, alms offerings to the Sangha, and requiem rites for ancestors and departed souls. |
| Annual death anniversaries of the Patriarchs | Memorial Rites (Húy kỵ) for Patriarch Đại Bồ, Patriarch Minh Lương - Chánh Tâm and Elder Thích Đạt Đồng | Monastic descendants of the Lâm Tế lineage across Southern Vietnam gather at the Patriarch Hall and stupa garden for stupa circumambulation, patriarch offerings, and remembrance of the masters who founded the school and carved the woodblocks. |
On every patriarch memorial day and full-moon festival, as the deep chime of the nineteenth-century great bronze bell echoes across the waters of the Cầu Voi River, hundreds of monks, nuns, and lay Buddhists return beneath the ancient Four-Emblem roof to bow before the Patriarch Hall. Amid the brisk pace of modern life just a few hundred meters from National Highway 1A, Kim Cang Ancestral Pagoda preserves the quiet dignity of a historic Buddhist academy that once illuminated prajna wisdom across the entire Southern land.
VILocation And How To Get There
- Address
- Ấp Bình Cang 1 (khu vực Bình Thảo - Bình Cang), xã Thủ Thừa (xã Bình Thạnh cũ, huyện Thủ Thừa cũ, tỉnh Long An cũ), tỉnh Tây Ninh
- Getting there
- From the center of Long An Ward (formerly Tân An City), follow National Highway 1A northeast toward Ho Chi Minh City for about 6 kilometers to the Cầu Voi area in Thủ Thừa Commune (formerly Bình Thạnh Commune, Thủ Thừa District), then turn onto the road along the southern bank of the Cầu Voi River for about 500 meters to reach Kim Cang Ancestral Pagoda.
- Coordinates
- 10.57518, 106.43821
When visiting Kim Cang Ancestral Pagoda, you are entering a venerable monastery that houses nineteenth-century timber carvings and wooden printing blocks highly sensitive to moisture and physical contact. Please dress modestly, walk softly and speak quietly inside the Main Hall and Patriarch Hall, and refrain from touching the 299 Chinese sutra woodblocks, the gilded openwork wooden friezes, or the antique statues on the altars.
Nearby places in the library
VIIContribute To This Page
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?Quick Questions
Why are two founding dates, 1820 and 1865 (along with an 1789 lineage tradition), mentioned in the history of Kim Cang Ancestral Pagoda?
Local historical records preserve two complementary strands: a regional lineage tradition links the earliest missionary presence along Kim Cang Creek to the Kỷ Dậu year (1789) of the Lâm Tế Chúc Thánh school, while the official provincial heritage dossier identifies the direct predecessor of the pagoda as Phước Long Tự, founded in 1820 by Patriarch Đại Bồ - Thiện Đề (37th Lâm Tế generation) at Bình Khuê village. In 1865, Most Venerable Minh Lương - Chánh Tâm (40th Lâm Tế generation) moved the pagoda to the bank of the Cầu Voi River and renamed it Kim Cang Tự.
What is the story of the prophetic dream of the Vajra Deity and the sacred snake that guided the pagoda's relocation?
According to temple chronicles, in 1865 when Patriarch Chánh Tâm took charge of the old pagoda at Bình Khuê village, he dreamed of a Vajra Guardian Deity (Thần Kim Cang) who instructed him to move the monastery to the bank of a great river so the Dharma would flourish. The next morning, a large snake appeared in the courtyard and led the Patriarch straight to a high plot on the southern bank of the Cầu Voi River before disappearing. With land donated by local followers, he relocated the temple there and named it Kim Cang Tự.
How large is the woodblock collection at Kim Cang Ancestral Pagoda and why is it historically significant?
Kim Cang Ancestral Pagoda preserves intact 299 double-sided wooden printing blocks (mộc bản) carved with mirror-reversed Chinese characters in the late nineteenth century, containing major texts such as the Diamond Sutra, Lotus Sutra, Heart Sutra, and Repentance Sutra. This priceless collection confirms the pagoda's role as the first Buddhist monastic school in Southern Vietnam and the largest scripture printing and publishing center in old Gia Định and Cochinchina.
What characterizes the Southern Four-Emblem (nhà Tứ tượng) architecture of Kim Cang Ancestral Pagoda?
The Main Hall and Patriarch Hall are built in the traditional Southern Vietnamese Four-Emblem timber style, anchored by four massive central ironwood columns (representing the Four Immeasurable Minds of Loving-kindness, Compassion, Joy, and Equanimity) from which tie-beams and rafters extend outward in four directions. Inside, the pagoda retains its original nineteenth-century gilded openwork wooden friezes, curved column couplets, and nearly 100 antique statues.
Following the 2025 administrative reorganization, which commune and province does Kim Cang Ancestral Pagoda belong to?
Prior to 1 July 2025, Kim Cang Ancestral Pagoda was located in Bình Cang 1 Hamlet, Bình Thạnh Commune, Thủ Thừa District, Long An Province. Under National Assembly Resolution No. 202/2025/QH15 (merging Long An and Tây Ninh into the new Tây Ninh Province) and Standing Committee Resolution No. 1682/NQ-UBTVQH15 dated 16 June 2025 (merging Thủ Thừa Town with parts of Bình Thạnh, Tân Thành, and Nhị Thành communes into Thủ Thừa Commune), the pagoda now belongs to Thủ Thừa Commune, Tây Ninh Province.