Walking along Trần Hưng Đạo Street toward Chợ Quán between tightly packed town houses, you come upon a facade unlike anything else on the block, with two five-story square towers, curved roofs, and at the very center an eye painted inside a halo of light. That eye is Thiên Nhãn (the Divine Eye), and the building is Đô Thành Cao Đài Temple (Thánh thất Đô Thành).
The library already has a dedicated entry on the Tây Ninh Holy See, the central sanctuary of Caodaism. Where you are standing is a scaled-down adaptation of that very architectural frame set in the middle of the city. For city residents who have not yet traveled to Tây Ninh, this is the closest place to see the three-hall layout with the naked eye. Calling it a Holy See (Tòa Thánh), however, would be a mistake, and that distinction is worth stating from the outset.

ILocal temple, parish, and two names
In Caodaism, the terms Holy See (tòa thánh) and local temple (thánh thất) are not interchangeable. A Tòa Thánh is the central seat of an entire church (Hội Thánh), housing its highest governing bodies, and each church has only one. A thánh thất is the house of worship of a parish (họ đạo), a local community of believers. This building is a local temple belonging to the Saigon Parish (Họ Đạo Sài Gòn), and it also houses the office of the Representative Board of the Tây Ninh Cao Đài Church in Ho Chi Minh City.
| Term | Meaning in Caodaism | Example |
|---|---|---|
| Tòa Thánh (Holy See) | The central sanctuary of a Cao Đài church, one per church | Tây Ninh Holy See of the Tây Ninh Cao Đài Church |
| Thánh thất (local temple) | The house of worship and liturgical center of a local parish | Đô Thành Cao Đài Temple of the Saigon Parish |
| Điện Thờ Phật Mẫu | A shrine dedicated to the Holy Mother (Đức Phật Mẫu), usually built beside a local temple | The Shrine of the Holy Mother within the parish compound |
| Họ đạo (parish) | A community of believers in a locality, with its own governing board | Saigon Parish, with roughly five thousand believers |
The first common misconception is calling this building the Saigon Holy See (Tòa Thánh Sài Gòn). There is no Holy See in Saigon. This is a parish temple built after the architectural model of the Tây Ninh Holy See without holding central governing authority. The confusion arises because the architecture looks so similar, and visually it truly does, while its institutional role in the religious hierarchy is altogether different.
The second point of confusion lies in its name. The site has two valid names, where Thánh thất Đô Thành (Đô Thành Temple) is the familiar name used among believers and Thánh thất Sài Gòn (Saigon Temple) is the title listed in official parish directories. It should not be confused with Vạn Quốc Tự Đô Thành Temple on Điện Biên Phủ Street in former District 10, which is a completely different establishment sharing only the words Đô Thành.
In its object of worship, the temple follows the standard system of the religion. The supreme deity venerated here is Đức Chí Tôn (the Supreme Being), who is never depicted by a statue but represented by Thiên Nhãn (the Divine Eye), a left eye placed at the highest position inside Bát Quái Đài. As the faith explains its own symbol, venerating an eye rather than a sculpted image reminds believers that every deed they perform lies within that gaze.
Alongside it stands the worship of Đức Phật Mẫu (the Holy Mother), the Maternal Principle in the Cao Đài pantheon, enshrined in a separate hall within the parish compound. Placing the two altars in two separate structures is the standard practice of the Tây Ninh Cao Đài Church rather than a local peculiarity.
The two Chinese characters at the top of this page represent the library's rendering of the name Đô Thành (Capital City) for readers familiar with Sino-Vietnamese script, rather than a transcription from a plaque at the temple. One further point should be stated clearly, namely that Caodaism comprises multiple churches and meditative lineages, and the library does not rank any branch above another, recording their differences solely in a documentary voice.
IIFrom the 1949 plot to the present sanctuary
The history of this site falls into two distinct phases, first repurposing an existing residential building and later erecting a purpose-built sanctuary following the liturgical canon of the faith. Fifty years separate the two phases.
- 1926Inauguration of CaodaismThe founding declaration ceremony marks the formal public emergence of Đại Đạo Tam Kỳ Phổ Độ. At that time construction of the Tây Ninh Holy See had not yet begun, and urban parishes did not yet have their own purpose-built temples.
- 1949Purchase of the plot at 891 Trần Hưng ĐạoBefore 1949, the Saigon circuit held services temporarily at Thái Hòa Pagoda at 75 Cô Bắc Street. In early 1949, the church purchased a plot of roughly 931 square meters with a French-style villa at 107 Trần Hưng Đạo Street (now No. 891), and on 7 April 1949 (10th day of the 3rd lunar month, Kỷ Sửu) enshrined the Sacred Divine Eye.
- 1955Inauguration of the Tây Ninh Holy SeeThe Holy See in Tây Ninh celebrates its inauguration. This milestone matters here because its architectural framework later served as the model for Đô Thành Temple.
- 1999Groundbreaking for the Model No. 4 templeOn 4 February 1999, the parish lays the first stone to rebuild the temple as a three-story structure following Model No. 4 of the Tây Ninh Holy See on the site of the old building.
- 2001Completion and inauguration of the present templeAfter more than two years of construction, the parish enshrines the Sacred Divine Eye on 12 March 2001 and celebrates the grand inauguration on 14 July 2001 (24th day of the 5th lunar month, Tân Tỵ).
What is worth noting at the 1949 milestone is that the initial place of worship was not a purpose-built temple but a repurposed villa. This pattern was common among urban parishes because city land was scarce and expensive, so communities often began by buying a house and adapting it into a prayer hall, later raising the rear hall to two stories and adding a triple gate in 1973. The three-hall architectural canon required substantial funding and engineering, so only at the end of the twentieth century could the parish rebuild the entire structure to full liturgical specifications.
What is worth noting at the 1999 milestone is how the parish solved the problem of a tight urban lot by raising a three-story temple on the footprint of the old villa. For an urban religious community numbering several thousand people, even the finest villa lacked a Hiệp Thiên Đài, nine stepped floor levels, and a Bát Quái Đài. In the new design, the architects placed the assembly hall and parish offices on the ground floor, set the ancestral altar (Cửu Huyền Thất Tổ) and reception hall on the first floor, and dedicated the entire second floor to the three-hall sanctuary.
IIIThree halls compressed onto an urban plot
The temple is built according to Model No. 4 of the Tây Ninh Holy See, placing the entire main sanctuary on the second floor with all three sections, Hiệp Thiên Đài, Cửu Trùng Đài, and Bát Quái Đài, aligned along a single axis from front to back. The ingenuity of the building lies in taking an architectural frame designed for a 135-meter sanctuary and fitting it onto an urban lot of just over nine hundred square meters through a three-story vertical arrangement while keeping every essential liturgical zone.
Standing on either side of the facade, each tower rises 18 meters across five stories. They make the temple recognizable from afar along the street wall and echo the silhouette of the Tây Ninh Holy See most unmistakably.
The front section of the upper sanctuary, where visitors enter the main hall and see the painting of the Three Saints (Sun Yat-sen, Victor Hugo, and Nguyễn Bỉnh Khiêm) modeled after the 1947 painting at Tây Ninh. In Cao Đài doctrine, this hall governs communion between the visible and invisible realms and upholds religious law.
The middle hall linking Hiệp Thiên Đài with Bát Quái Đài, where dignitaries and believers kneel in worship. Six columns divide the nave into men's and women's sides. Under the regulations of the Tây Ninh Holy See, these six columns are left smooth and painted pink rather than entwined with dragons, and the base of each column rests upon a large red lotus blossom.
The innermost and most sacred section of the main hall, raised on eight dragon-entwined columns arranged in an octagonal eight-trigram plan around the central altar.
Inside Bát Quái Đài, in place of the Cosmic Globe at Tây Ninh stands an eight-tiered altar. The highest tier holds the Divine Eye and the Thái Cực lamp, the second tier enshrines Chinese-character spirit tablets of Śākyamuni Buddha, Laozi, and Confucius, the third tier honors Avalokiteśvara (Quan Thế Âm), Li Bai (Lý Thái Bạch), and Guan Yu (Quan Thánh Đế Quân), the fourth tier honors Jesus Christ, the fifth tier honors Jiang Ziya (Khương Tử Nha), and the lowest three tiers hold offerings of flowers, wine, and tea.
The entire complex sits on roughly 931 square meters, with a triple-arched gate (tam quan) opening right onto the sidewalk of Trần Hưng Đạo Street. Lacking the wide forecourt of rural Holy Sees, the building stacks its functions across three stories, placing the assembly hall, offices, and ancestral altar on the ground and first floors while reserving the second floor for the three-hall sanctuary.
| Feature | Tây Ninh Holy See | Đô Thành Cao Đài Temple |
|---|---|---|
| Role | Central sanctuary of the Church | Local temple of a parish and Representative Board office |
| Scale | 135-meter-long sanctuary in a vast compound | Urban plot of about 931 square meters, built in three stories |
| Front towers | Bell and drum towers 27 meters high | Twin bell and drum towers 18 meters high, five stories |
| Columns in Cửu Trùng Đài | Eighteen dragon-entwined columns dividing nine bays | Six smooth columns resting on large red lotus bases |
| Highest object of worship | Cosmic Globe (quả Càn Khôn) 3.3 meters in diameter | Eight-tiered altar with the Divine Eye on the top tier |
| Columns of Bát Quái Đài | Enclosed within the three-roofed octagonal rotunda | Eight dragon-entwined columns arranged in an octagon |
Some hear the phrase scaled-down model and assume the building is an exact miniature replica differing only in size. It is not. The table above shows that several elements are substituted rather than merely shrunk, as the Cosmic Globe is replaced by an eight-tiered altar, dragon columns appear only in Bát Quái Đài while the six columns of Cửu Trùng Đài remain smooth atop red lotus bases, and the entire main sanctuary is lifted to the second floor. The builders kept the three-hall framework required by liturgy and adapted the rest to fit an urban lot. Reading the building well means reading those deliberate adaptations rather than counting what is absent.
IVThe lie of the land and orientation
This section presents the library's reading through the lens of traditional geomancy (phong thủy), not something recorded in Cao Đài scriptures or church documents. The library states this clearly so that readers can distinguish documentary records from interpretation. Those who built this temple followed the three-hall canon of their faith and the existing shape of the urban lot rather than manuals of geomancy.
The first element worth reading here is the urban lot. Unlike Holy Sees set amid open fields, this site is a rectangular parcel wedged between two rows of town houses, its front facing a major thoroughfare. In classical geomancy, such ground has no mountain dragon vein (long mạch), so practitioners read the street as a watercourse. Trần Hưng Đạo is a long, straight artery with constant traffic, and classical manuals treat such a fast, straight current of qi as a force that must be tempered rather than received head-on.
Right here, the three-hall framework placed on the upper story performs a geomantic function beyond the builders' explicit intent. Because the main sanctuary sits on the second floor and the three halls are aligned in depth, someone entering from the sidewalk through the triple gate must ascend the stairs and pass successively through Hiệp Thiên Đài and Cửu Trùng Đài before reaching Bát Quái Đài. Each threshold slows the pace. Read in traditional terms, this forms a stepped qi-advancing layout (tiến khí thăng cấp), in which qi enters along a single axis and is elevated one degree at every threshold. At the same time, it acts as a buffer between street traffic and liturgical stillness, performing vertically the same work that a wide forecourt performs at rural sanctuaries.
Third is height. The two five-story bell and drum towers rising eighteen meters stand well above the surrounding town houses. In form-school geomancy, a tall mass rising amid lower structures is called a solitary peak (độc tú). Standing alone in an open plain, such a form is considered exposed and unstable, yet set within a dense street block it becomes an advantage because the flanking rows of houses brace the lower body while only the twin crowns rise into the sky.
Regarding orientation, the main facade faces directly onto Trần Hưng Đạo Street, making the roadway and front sidewalk the bright hall (minh đường) of the building. Because the library has not located a survey recording the exact compass bearing of the facade, it refrains from offering a directional eight-trigram reading based on guesswork. What can be said with certainty is that the orientation is dictated by the geometry of the street parcel rather than by a geomantic choice.
VFestivals and parish life
As the house of worship of a large urban parish, religious life here moves on two levels, combining the general liturgical calendar of Caodaism with its four daily services and major annual festivals, and the specific pastoral life of a local parish with life-cycle rites such as initiation, infant blessing, and prayers for the deceased.
| Lunar date | Festival | Observance |
|---|---|---|
| 9th day of the 1st month | Festival of Đức Chí Tôn | The grand New Year festival of Caodaism. Parish believers gather for worship at the temple, while those able to travel make the pilgrimage to the Tây Ninh Holy See. |
| Full moon of the 1st month | Thượng Nguơn Festival | The first of the three full-moon cycle festivals (tam nguơn) of the liturgical year. |
| Full moon of the 7th month | Trung Nguơn Festival | The mid-year cycle festival, featuring prayers for the deliverance of departed souls. |
| Full moon of the 8th month | Banquet of the Jasper Pool Palace (Hội Yến Diêu Trì Cung) | The grand autumn festival offered to the Holy Mother (Đức Phật Mẫu), celebrated at the parish's Shrine of the Holy Mother. |
| Full moon of the 10th month | Hạ Nguơn Festival | The final cycle festival closing the annual liturgical round. |
| Four times daily | Four daily services (cúng tứ thời) | Services held at the four double-hours of Tý, Ngọ, Mẹo, and Dậu spaced evenly across day and night, the daily rhythm of Caodaism. |
Regarding life-cycle rites, the local temple is where new believers enter the faith (nhập môn) and recite their solemn vow (lời minh thệ) before the Divine Eye. Young children receive the infant blessing rite (tắm thánh), while formal initiation waits until adulthood. When a member of the parish passes away, the temple conducts deliverance rites (cầu siêu) according to Cao Đài liturgy. Those three duties make up the most frequent work of a local temple and mark the clearest practical difference between a local temple and a Holy See, since a Holy See governs the affairs of the whole church while a local temple cares for individual families in its parish.
Regarding parish size, published reports state that the Saigon Parish numbers roughly five thousand believers, served by a governing board of more than thirty members led by a parish head (cai quản) and male and female deputies (phó cai quản). Alongside liturgical worship, the parish maintains charitable works including a home caring for elderly people and orphans as well as a free traditional medicine clinic. Because these figures come from reports published several years ago and the library has not yet located an updated census, readers should keep their date in mind.
VILocation And How To Get There
- Address
- Số 891 đường Trần Hưng Đạo, phường Chợ Quán (phường 1 quận 5 cũ), Thành phố Hồ Chí Minh
- Getting there
- Located at 891 Trần Hưng Đạo Street, Chợ Quán Ward (formerly Ward 1, District 5), Ho Chi Minh City. The main facade opens directly onto the boulevard, within walking distance of the Chợ Quán area and the Nguyễn Văn Cừ intersection.
- Coordinates
- 10.7547, 106.6795
This is an active house of worship rather than a tourist site, so visitors should observe the customs of the temple. Standard etiquette includes dressing modestly, removing shoes before entering the sanctuary hall, using the side entrances designated for men or women as posted on site, walking quietly, and refraining from conversation during services. Visitors outside the faith are welcome to watch from the guest area without stepping into the ranks of worshippers. Photography inside the sanctuary depends on the occasion, so please ask the attendant at the door before raising a camera and avoid close-up shots of people in prayer.
Nearby places in the library
VIIContribute To This Page
Contribute photos, information or video for Do Thanh Cao Dai Temple
Góp ảnh, thông tin hoặc video cho Thánh thất Đô ThànhEveryone is welcome to enrich this page: a photo you took, a detail the page misses, a short video. Every contribution is read and answered.
Thầy Ưng Khiêm mời cộng đồng cùng làm giàu trang này. Ảnh chụp tận nơi, một chi tiết lịch sử chưa được nhắc, một đoạn video ngắn: mọi đóng góp đều được đọc và trả lời.
No community contribution yet. You could be the first. Chưa có đóng góp nào từ cộng đồng. Bạn có thể là người đầu tiên.
?Quick Questions
Are Đô Thành Temple and Saigon Cao Đài Temple the same place
Yes, both names refer to the same site at 891 Trần Hưng Đạo Street. Thánh thất Đô Thành (Đô Thành Temple) is the familiar name used by believers, while Thánh thất Sài Gòn (Saigon Temple) is the formal title on parish rosters. Do not confuse it with Vạn Quốc Tự Đô Thành Temple on Điện Biên Phủ Street in former District 10, which is a separate establishment.
How does a Cao Đài local temple differ from a Holy See
A Holy See (Tòa Thánh) is the central sanctuary of an entire Cao Đài church, with only one per church housing its supreme governing bodies. A local temple (thánh thất) is the house of worship of a local parish, tending to daily liturgy and life-cycle rites for believers in its neighborhood. Đô Thành Temple is a local temple that also houses the Representative Board office of the Tây Ninh Cao Đài Church in Ho Chi Minh City.
Which Cao Đài branch does Đô Thành Temple belong to
It belongs to the Tây Ninh Cao Đài Church (Hội Thánh Cao Đài Tòa Thánh Tây Ninh), which is why its architecture follows Model No. 4 of the Tây Ninh Holy See with all three sections, Hiệp Thiên Đài, Cửu Trùng Đài, and Bát Quái Đài. Caodaism has multiple churches, and the library does not rank any branch above another.
When was Đô Thành Cao Đài Temple built
The plot at former 107 Trần Hưng Đạo Street (now No. 891) was purchased in 1949, when an existing French-style villa was adapted for worship and later expanded in 1973. The present three-story temple broke ground on 4 February 1999 and was inaugurated on 14 July 2001 on a parcel of roughly 931 square meters.
Does the temple have a Cosmic Globe like the Tây Ninh Holy See
No. Bát Quái Đài here is raised on eight dragon-entwined columns arranged in an octagon and uses an eight-tiered altar whose highest tier holds the Divine Eye and the Thái Cực lamp, with spirit tablets of the Three Teachings and Five Branches below. Meanwhile, the six columns in Cửu Trùng Đài are left smooth and rest upon large red lotus bases.