Gazing eastward across the pale golden limestone rooftops of the Jewish Quarter in the Old City of Jerusalem toward the Temple Mount, the structure that immediately commands the skyline is a hemispherical lead-clad dome rising twenty-four meters above the surrounding courtyards, its tall drum pierced by arched windows that flood the interior with Mediterranean sunlight. The sanctuary bears a name that encapsulates both historical tragedy and spiritual resilience in Judaism: the Hurva Synagogue (known in Hebrew as Beit HaKnesset HaHurva, literally The Synagogue of the Ruin, and formally consecrated in its dedicatory inscriptions as Beit Yaakov or Menahem Zion).
Standing on Hurva Square (89 HaYehudim Street), less than four hundred meters west of the Western Wall and just steps from the medieval Ramban Synagogue, the Four Sephardic Synagogues, and the Roman Cardo colonnade, the Hurva Synagogue in the Jewish Quarter of Jerusalem is the largest synagogue in the Old City and the historic spiritual anchor of Jerusalem's Ashkenazi Jewish community. From the arrival of the mystical circle of Rabbi Yehudah he-Hasid in October 1700 and the burning of their compound in 1720, through its monumental rebuilding between 1856 and 1864 by the disciples of the Vilna Gaon under Ottoman imperial architect Assad Effendi, its destruction during the battle for the Old City in May 1948, and its thirty-year vigil as a solitary stone arch, to its meticulous reconstruction completed in March 2010 by Jerusalem architect Nahum Meltzer, every stone of the Hurva tells the story of exile, endurance, and renewal.

IThe One God of Israel, the Vision of the Disciples of the Vilna Gaon, and the Theology of Rebuilding the Ruin
In the legal and liturgical tradition of Judaism (Halakha), a synagogue (Beit Knesset, House of Assembly; also called Beit Tefillah, House of Prayer, and Beit Midrash, House of Study) contains no graven images or physical representations of deity. Instead, it serves as a Sanctuary in Miniature (Mikdash Me'at) dedicated to the worship of the One Incorporeal, Eternal God of Israel (HaShem / Adonai), Creator of heaven and earth and author of the covenant with Abraham, Isaac, and Jacob. Within the consecrated hall of the Hurva Synagogue, the reverence of the congregation centers upon the handwritten parchment Torah Scrolls (Sefer Torah) housed inside the towering Torah Ark (Aron Kodesh) set against the eastern wall, oriented directly toward the Temple Mount (Har HaBayit) where the ancient Holy of Holies once stood.
What gives the Hurva Synagogue its distinct identity within the sacred geography of Jerusalem is its historical role as the mother synagogue of Jerusalem's non-Hasidic Ashkenazi community (the Perushim). Whereas the neighboring Four Sephardic Synagogues preserved the liturgical melodies and customs of Iberian and Middle Eastern Jewry, the Hurva was resurrected in the nineteenth century by the Perushim, the disciples and spiritual heirs of the great eighteenth-century sage Rabbi Eliyahu ben Shlomo Zalman of Vilnius (universally revered as the Vilna Gaon or HaGra, 1720 to 1797), who immigrated from Lithuania and Belarus to the Land of Israel beginning in 1808 and settled in Jerusalem in 1815.
In the theological teaching of the Vilna Gaon and his disciples led by Rabbi Menachem Mendel of Shklov and Rabbi Avraham Shlomo Zalman Zoref, the messianic redemption of Israel required active human initiative from below (Itaruta d'Letata, the awakening from the earthly realm that calls forth divine grace from above). Central to that spiritual mission were three pillars: resettling the Land of Israel, establishing academies for the intensive day-and-night study of both the revealed Talmud and the esoteric Kabbalah in Jerusalem, and physically rebuilding the ruined sanctuaries of Zion.
For this reason, the enduring name HaHurva (The Ruin) carries profound theological resonance. After the courtyard of Rabbi Yehudah he-Hasid was burned by creditors in 1720 and lay desolate for more than a century, townspeople referred to the plot as Hurvat Rabbi Yehudah he-Hasid (the Ruin of Rabbi Yehudah the Pious). Even after the magnificent domed edifice was consecrated in 1864 under the formal name Beit Yaakov (House of Jacob, in memory of Baron James Mayer de Rothschild), and again after its complete reconstruction in 2010, Jewish communities worldwide continued to call it the Hurva as a living testimony to the prophetic promise of Isaiah and Ezekiel that the ancient ruins of Jerusalem would be raised up anew.
For eighty-four years between 1864 and 1948, the Hurva served as the preeminent ceremonial cathedral of Ashkenazi Jewry in the Land of Israel. From its central raised reader's platform (Bimah), every Ashkenazi Chief Rabbi of Jerusalem and Mandatory Palestine was formally installed, including Rabbi Shmuel Salant (who guided Jerusalem's Ashkenazi community for nearly seven decades until 1909), Rabbi Abraham Isaac Kook (installed here in 1921 as the first Ashkenazi Chief Rabbi of the Land of Israel), and Rabbi Yitzhak HaLevi Herzog. The synagogue hosted British philanthropist Sir Moses Montefiore during his historic nineteenth-century visits to Jerusalem, resounded with the prayers of the Jewish Legion in 1918, and witnessed High Commissioner Sir Herbert Samuel's famous recitation of the prophetic Haftarah reading from Isaiah 40 (Comfort ye, comfort ye My people) in the summer of 1920.
Because guidebooks and older photographs from the late twentieth century prominently feature a single freestanding stone arch rising over open rubble, many first-time visitors arriving at Hurva Square assume that the Hurva Synagogue is still an open-air ruin. In reality, that single arch was the Memorial Arch that stood only between 1977 and 2005; since March 15, 2010, the entire four-walled sanctuary, its 24-meter dome, its women's galleries, its wall frescoes, and its two-story wooden Torah Ark have been completely reconstructed and operate daily as an active synagogue and heritage museum.
IIThree Centuries of Destruction and Rebirth: From the 1700 Pilgrims and Assad Effendi's 1864 Dome to the 2010 Reconstruction
The history of the Hurva Synagogue unfolds across five distinct chapters that mirror the wider history of the Jewish Quarter of Jerusalem, anchored by two millennia of archaeological strata preserved directly beneath its stone floor.
Excavations conducted under the synagogue nave by the Hebrew University of Jerusalem revealed continuous habitation stretching back to the First Temple Period (eighth to sixth centuries BCE), followed by priestly mansions of the Second Temple Period (first century BCE to 70 CE) complete with four rock-cut ritual immersion baths (Mikva'ot), a paved Byzantine street from the sixth century, and an early Islamic glassmaker's workshop. In the medieval era, the courtyard lay immediately north of the thirteenth-century Ramban Synagogue. The modern saga of the Hurva began on October 14, 1700, when the charismatic kabbalist and ascetic preacher Rabbi Yehudah he-Hasid (circa 1660 to 1700) arrived in Jerusalem at the head of roughly five hundred Ashkenazi followers from Poland, Lithuania, and Moravia. Just five days after entering the city, Rabbi Yehudah died suddenly. Deprived of their leader and subjected to heavy bribes and extortionate taxes by local Ottoman governors, the community sank into deep debt. In October 1720, angry creditors stormed the compound, set fire to the wooden synagogue, expelled the Ashkenazi residents from Jerusalem, and left the site a charred wasteland known for the next 116 years as HaHurva.
- October 1700 and October 1720Arrival of Rabbi Yehudah he-Hasid's followers and the burning that created the Ruin (HaHurva)On October 14, 1700, Ashkenazi pilgrims led by Rabbi Yehudah he-Hasid settle in the courtyard, but their leader dies five days later. In October 1720, local creditors burn the compound and expel the Ashkenazi community, leaving the site known as Hurvat Rabbi Yehudah he-Hasid.
- 1815 to 1837Disciples of the Vilna Gaon (Perushim) reclaim the compound and dedicate the Menahem Zion SynagogueLed by Rabbi Menachem Mendel of Shklov and Rabbi Avraham Shlomo Zalman Zoref, the Perushim secure an 1836 decree from Ibrahim Pasha of Egypt annulling past debts, clear the northwestern corner of the ruins, and dedicate the small Menahem Zion study hall in 1837.
- 1854 to 1864Ottoman Imperial Firman and construction of the Neo-Byzantine synagogue by Assad EffendiThrough the diplomacy of Sir Moses Montefiore, Baron Alphonse de Rothschild, and British Consul James Finn, Sultan Abdülmecid I issues an imperial Firman in 1854 permitting a grand synagogue. Designed by Ottoman court architect Assad Effendi, construction begins in 1856 and the sanctuary is consecrated in 1864 as Beit Yaakov.
- May 27, 1948Demolition of the Hurva Synagogue during the Battle for JerusalemDuring fierce fighting for the Old City in the 1948 Arab-Israeli War, after Haganah defenders withdraw from the building, forces of the Jordanian Arab Legion pack barrels of explosives against the walls and blow up the Hurva Synagogue, reducing it to rubble a second time.
- 1968 to 1977Louis Kahn's unbuilt modernist masterplan and erection of the 1977 Memorial ArchFollowing the 1967 reunification of Jerusalem, world-renowned American architect Louis I. Kahn designs three monumental modernist proposals (1968 to 1973), which remain unbuilt after his death in 1974. In 1977, one of the four 16-meter stone arches is rebuilt over the ruins as a temporary Memorial Arch.
- 2005 to March 15, 2010Archaeological excavations and faithful historical reconstruction by Nahum MeltzerIn 2000, the Israeli government approves a full historical reconstruction. Following Hebrew University excavations in 2003, architect Nahum Meltzer directs construction from 2005 to 2010, culminating in the solemn rededication of the Hurva Synagogue on March 15, 2010.
The great architectural debate: Louis Kahn's modernist monument versus Nahum Meltzer's historical reconstruction. In twentieth-century architectural history, the Hurva Synagogue occupies a famous chapter because of the three unbuilt designs created between 1968 and 1974 by Estonian-born American master architect Louis Isadore Kahn (1901 to 1974). Declaring that the new Hurva should stand alongside the Western Wall and the Dome of the Rock as a monument of timeless stone, Kahn proposed leaving the blasted 1864 wall stubs untouched and surrounding a four-pylon concrete inner sanctuary with sixteen colossal hollow pylons of golden Jerusalem ashlar stone, creating shadowy ambulatory chambers lit by narrow vertical slits. Although architectural critics hailed Kahn's Hurva model as a masterpiece of twentieth-century sacred design, many Jerusalemites and rabbinic leaders felt its austere, fortress-like abstraction was alien to the intimate scale of the Old City and longed for the familiar dome that had crowned the Jewish Quarter before 1948. In 2000, after decades in which the single 1977 Memorial Arch stood over the exposed floor, the Israeli Cabinet and the Company for the Reconstruction and Development of the Jewish Quarter commissioned Jerusalem architect Nahum Meltzer to reconstruct Assad Effendi's 1864 building faithfully, drawing upon K. Bieber's meticulous 1927 architectural survey drawings, hundreds of archival photographs, and surviving stone fragments.
IIIAssad Effendi's Neo-Byzantine Dome, the Two-Story Kherson Torah Ark, and the Subterranean Second Temple Crypt
Architecturally, the Hurva Synagogue is the finest example of the Ottoman Neo-Byzantine style in Jerusalem. In the 1850s, Sultan Abdülmecid I dispatched his official imperial architect, Assad Effendi, from Istanbul to Jerusalem to supervise major restorations on the Temple Mount. Recognizing his engineering mastery, the leaders of the Ashkenazi community commissioned Assad Effendi to design their new sanctuary. Drawing directly upon the classical pendentive-dome geometry perfected by Ottoman imperial mosques in Istanbul, Assad Effendi created a lofty, light-filled cubic prayer hall crowned by a hemispherical dome that maximized both natural illumination and acoustic resonance for unaccompanied liturgical chanting.
During the 2005 to 2010 reconstruction led by Nahum Meltzer, master stonemasons rebuilt the exterior facades in hand-dressed local Jerusalem limestone (Meleke and Mizzi Hilu), seamlessly integrating the surviving lower courses of the original 1864 masonry (rising two to four meters above ground) into the new structure so visitors can still touch the nineteenth-century stones.
The main prayer hall forms a near-square chamber measuring roughly 15.5 by 14 meters, anchored at its four corners by massive masonry piers linked by four semicircular stone arches rising 16 meters high (the northern arch incorporating the 1977 Memorial Arch). Spherical triangular pendentives transition from the square bay to a cylindrical drum pierced by 12 arched windows symbolizing the Twelve Tribes of Israel, topped by the 24-meter hemispherical dome.
Dominating the eastern wall facing the Temple Mount is the monumental two-story Torah Ark rising 11.5 meters high, meticulously recreated from archival photographs of the nineteenth-century Baroque-Neo-Gothic ark originally brought to the Hurva from the Jewish community of Kherson in Ukraine. Framed by carved Corinthian columns, wrought-iron gates, and gilded lions of Judah flanking the Tablets of the Law, it holds dozens of handwritten Torah scrolls.
In accordance with the classical Ashkenazi liturgical layout championed by the Vilna Gaon, the elevated reader's platform (Bimah) stands directly beneath the apex of the central dome, enclosed by a polished marble balustrade, ornate wrought-iron railings, and four tall brass candelabra, illuminated from above by a grand central crystal chandelier and concentric rings of hanging oil-style lamps.
Cantilevered on carved stone corbels along the northern, western, and southern walls at the second-story level are the women's prayer galleries (Ezrat Nashim), screened by wooden latticework partitions (Mechitzah). From the upper gallery, a spiral staircase leads out to an exterior stone balcony ringing the base of the dome, offering a 360-degree panorama across the Old City.
Adorning the upper walls and the four curved pendentives beneath the dome are painted landscape medallions recreated after the nineteenth-century originals, depicting Rachel's Tomb on the road to Bethlehem, the Western Wall and cypress trees of the Temple Mount, the Mount of Olives, and the willow-lined rivers of Babylon with hung harps evoking Psalm 137.
Excavated directly beneath the marble floor of the nave and accessible via a dedicated lower visitor entrance is an underground archaeological hall preserving in situ Iron Age First Temple walls, four rock-hewn Second Temple ritual immersion baths (Mikva'ot) used by priestly families before ascending to the Temple Mount, a paved Byzantine street, and medieval cisterns.
| Architectural element | Dimensions and chronology | Design character and liturgical function |
|---|---|---|
| Central Dome and Window Drum | Interior apex 24 m (exterior 25 m); drum pierced by 12 arched windows | Ottoman Neo-Byzantine pendentive dome designed by Assad Effendi (1864); natural acoustics for cantorial prayer |
| Four Main Load-Bearing Arches | Arch crown height 16 m; hand-dressed Jerusalem limestone ashlar | Span the 15.5 m x 14 m prayer hall; integrate surviving 1864 lower stone walls and the 1977 northern arch |
| Torah Ark (Aron Kodesh) | Approx. 11.5 m tall (two stories); polychrome carved wood and gold leaf | Set on the eastern wall facing the Temple Mount; recreates the historic Kherson ark with twin scenic murals |
| Central Reader's Platform (Bimah) | Positioned at the geometric center under the dome; marble and ironwork | Used for public chanting of the Torah scroll on Mondays, Thursdays, Shabbat, and Jewish festivals |
| Women's Galleries (Ezrat Nashim) | Second-floor balconies along North, West, and South walls; elevator access | Traditional separate seating for women during services and elevated viewing gallery for guided tours |
| Underground Archaeological Crypt | Beneath the main floor; 8th century BCE to Ottoman era | Displays 4 Second Temple rock-cut Mikveh ritual baths, a 6th-century Byzantine street, and glass furnaces |
IVThe Lie of the Land
In the tradition of Judaism, the siting and axial alignment of the Hurva Synagogue are governed strictly by Halakhic laws of sacred orientation (Mizrach) codified in the Babylonian Talmud (Berakhot 30a) and the Shulchan Aruch: Jews throughout the world pray toward the Land of Israel, those in Israel pray toward Jerusalem, those in Jerusalem turn toward the Temple Mount, and synagogue builders place the Torah Ark on the wall facing the Holy of Holies, without any reference to East Asian geomancy. The following section offers a comparative reading of the sanctuary's hilltop topography and spatial axis through the library's traditional landform lens.
Situated at coordinates 31.7753 degrees north, 35.2311 degrees east, the Hurva Synagogue crowns the crest of Jerusalem's Western Hill (the ancient Upper City of the Second Temple Period) at an elevation of approximately 755 meters above sea level. In the natural topography of Jerusalem, the Western Hill rises fifteen to twenty meters higher than the Eastern Hill (Mount Moriah / the Temple Mount, at roughly 740 meters), separated from it by the deep north-south trough of the Central (Tyropoeon) Valley. By standing atop the highest ridge of the Jewish Quarter and adding twenty-four meters of vertical masonry, the dome of the Hurva functions in landform terms as a sovereign central peak, visually anchoring the Western Hill and maintaining a clear line of sight across the valley to the Mount of Olives in the east and Mount Zion in the south.
In terms of internal and external axial orientation, the sanctuary is aligned on a west-to-east axis (specifically east-northeast at approximately 75 to 80 degrees): worshippers enter from the western courtyard portico and advance eastward toward the two-story Torah Ark on the eastern wall, whose spiritual axis projects directly across the Tyropoeon depression to the Western Wall and the site of the ancient Temple just 350 meters away. Along the northern flank, the open paved expanse of Hurva Square acts as an inner bright hall where pedestrian lanes from the Roman Cardo and the Jewish Quarter converge. Beneath the foundation, the four rock-cut Second Temple ritual baths (Mikva'ot) carved into the living limestone bedrock embody a hidden subterranean water root, uniting ancient purifying waters below with the twelve-windowed celestial dome above.
VDaily Prayer Services, Kabbalat Shabbat Under the Dome, and the Annual Cycle of Jewish Festivals
Since its solemn rededication on Rosh Chodesh Nisan 5770 (March 15, 2010), the Hurva Synagogue has functioned simultaneously as a vibrant Orthodox Ashkenazi synagogue holding three daily prayer services according to the customs of the Vilna Gaon and the Land of Israel (Minhag Eretz Yisrael), and as an educational heritage site operated by the Western Wall Heritage Foundation.
| Time / Hebrew calendar | Service or festival | Liturgical meaning | Observance at the Hurva Synagogue |
|---|---|---|---|
| Daily (Morning, Afternoon, Evening) | Shacharit, Mincha, and Ma'ariv Services | Three daily communal prayer services (Minyan) | Residents and yeshiva scholars gather to recite the Shema Yisrael and the standing Amidah prayer facing the eastern Torah Ark, with public Torah readings on Monday and Thursday mornings. |
| Friday sunset to Saturday night weekly | Shabbat Services (Kabbalat Shabbat and Shacharit) | Sanctification of the Seventh Day of Creation | Chanting of the mystical hymn Lekha Dodi welcoming the Sabbath Bride beneath the acoustic dome on Friday evening, followed on Saturday morning by the reading of the weekly Torah portion (Parashat HaShavua) from the central Bimah. |
| 1st to 10th of Tishrei (Autumn) | Rosh Hashanah (New Year) and Yom Kippur (Day of Atonement) | The Ten Days of Repentance (Yamim Noraim) | Worshippers dressed in white robes (Kittel) fill the hall; the ram's horn (Shofar) resounds on Rosh Hashanah, and the congregation stands in fasting and prayer from Kol Nidrei to the closing Ne'ilah blast on Yom Kippur. |
| 15 Nisan, 6 Sivan, and 15 to 22 Tishrei | Three Pilgrimage Festivals (Pesach, Shavuot, Sukkot) and Simchat Torah | Commemoration of the Exodus, the Giving of the Torah, and Rejoicing with the Law | Priestly descendants of Aaron (Kohanim) ascend before the Ark to chant the Priestly Blessing (Birkat Kohanim); on Simchat Torah, congregants dance in seven joyous circuits (Hakafot) carrying the Torah scrolls. |
| 9th of Av (Tisha B'Av) and 28th of Iyar | Fast of Tisha B'Av and Jerusalem Day (Yom Yerushalayim) | Mourning the Temple's destruction and celebrating Jerusalem's renewal | On Tisha B'Av eve, congregants sit on the floor by dim light chanting the Book of Lamentations (Eicha) recalling both the ancient Temples and the 1720 and 1948 destructions of the Hurva; on Jerusalem Day, festive Hallel psalms of thanksgiving are sung. |
Exploring the surrounding sacred landmarks of the Jewish Quarter. A visit to the Hurva Synagogue connects seamlessly with a walking tour of the Jewish Quarter: immediately adjoining the Hurva's southern wall stands the medieval Ramban Synagogue (founded by Nachmanides in 1267); one block south lie the Four Sephardic Synagogues and the restored Tiferet Yisrael Synagogue; to the west stretch the sixth-century columns of the Byzantine Cardo and King Hezekiah's eighth-century BCE Broad Wall; and five minutes down the eastern stone steps opens the plaza of the Western Wall.
VILocation And How To Get There
- Address
- 89 HaYehudim Street (Hurva Square), Jewish Quarter, Old City of Jerusalem, 97500 Jerusalem, Israel
- Getting there
- The Hurva Synagogue stands on Hurva Square (89 HaYehudim Street) in the center of the Jewish Quarter of the Old City of Jerusalem. Visitors can reach the square easily on foot through Zion Gate or Dung Gate: Egged Bus lines 1 and 38 (a minibus line that enters through Zion Gate directly into the Jewish Quarter parking lot) stop within a 3-minute walk of Hurva Square along HaYehudim Street or the Cardo. From Jaffa Gate (connected to the Jerusalem Light Rail Line 1 at the City Hall / Safra Square stop), walk straight through the Armenian Patriarchate Road and turn left into the Jewish Quarter (approximately 10 to 12 minutes on foot).
- Coordinates
- 31.7753, 35.2311
The Hurva Synagogue is open to visitors and guided tours from Sunday through Thursday (and Friday mornings) via tickets and multilingual audio guides provided by the Western Wall Heritage Foundation; it is closed to tourist visits from Friday afternoon through Saturday night (Shabbat) and on Jewish holidays, when entry is reserved exclusively for prayer and photography, phones, and handling money are strictly forbidden. Modest attire covering shoulders, chest, and knees is mandatory for all visitors; men must cover their heads with a hat or a skullcap (Kippah / Yarmulke, provided free of charge at the entrance desk). A complete visit spans four levels: the underground Second Temple archaeological crypt, the main prayer hall, the second-floor women's gallery, and the rooftop balcony circling the base of the dome.
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?Quick Questions
Why is such a grand, newly rebuilt sanctuary called the Hurva (meaning 'The Ruin')?
The name HaHurva ('The Ruin') dates back to October 1720: twenty years after the Ashkenazi followers of Rabbi Yehudah he-Hasid settled on the site in 1700, local creditors burned their compound and expelled the community over unpaid debts, leaving the courtyard a heap of rubble known for 116 years as Hurvat Rabbi Yehudah he-Hasid ('The Ruin of Rabbi Yehudah the Pious'). Even after the grand synagogue was built in 1864 and rebuilt in 2010, the name Hurva was kept as a symbol of spiritual rebirth out of destruction.
Who designed the 1864 Hurva Synagogue, and who led its 2010 reconstruction?
The 1864 sanctuary was designed in the Ottoman Neo-Byzantine style by Assad Effendi, the official court architect of Ottoman Sultan Abdülmecid I, who had come from Istanbul to restore monuments on the Temple Mount. After the building was dynamited during the 1948 war, Jerusalem architect Nahum Meltzer directed its faithful historical reconstruction between 2005 and March 2010 using 1927 architectural survey drawings and archival photographs.
What was the famous single stone arch that stood on the site between 1977 and 2005?
Following the reunification of Jerusalem in 1967, while planners and rabbis debated whether to build American architect Louis Kahn's bold modernist design or recreate the 1864 building, authorities in 1977 reconstructed just one of the four 16-meter stone supporting arches over the exposed stone floor. That solitary Memorial Arch served as the iconic skyline symbol of the Jewish Quarter for 28 years before being incorporated into the full 2005 to 2010 reconstruction.
What makes the Torah Ark (Aron Kodesh) inside the Hurva Synagogue historically unique?
Rising 11.5 meters high across two stories on the eastern wall, the ornate carved wooden and gilded Torah Ark is an exact recreation of the nineteenth-century Baroque-Neo-Gothic ark originally brought to the Hurva from the synagogue of Kherson in Ukraine. It features carved Corinthian columns, wrought-iron gates, gilded lions of Judah, and two painted landscape panels above the doors.
Can non-Jewish visitors enter the Hurva Synagogue and climb to the dome balcony?
Yes, visitors of all faiths are welcome from Sunday through Thursday and on Friday mornings via admission tickets that include an audio guide. Visitors can explore the underground Second Temple archaeological crypt with its ancient ritual baths, the main sanctuary, the upper gallery, and the exterior stone walkway around the base of the dome overlooking the Old City.